Here's one of my favorite solo soprano performances--Lol Coxhill performing at the Battersea Arts Centre in London. Even though they primarily program cutting-edge theater, occasionally they throw in some cutting-edge music, too.
I've always liked Lol's patience when playing solo. Saxophonists tend to go down the "bizerk" and "noisy" routes too quickly when performing in this format. When used too often, even things that are typically viewed as cutting-edge can sound like cliches.
Whenever I play a solo concert, leaving space is probably the most challenging thing for me to do. And it's usually the most effective, too.
In this clip, Lol reminds me of a long distance runner. Running, not to win the race, but just to run. Totally in the moment.
This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
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1 comment:
Hi Sam
Enjoying your postings on the extended techniques etc, and accompanied by these little video clips. What's funny (interesting) is to notice how it seems that the English players have more easily moved into and developed these areas, or at least a little earlier. Any thoughts on that hypotheses?
I'm a big fan of Evan, Lol and John Butcher. In fact John Butcher I only just discovered recently via a concert in duo with Matthew Shepp. He played a first set solo - each player did a little set - then followed by a duo. It was most inspiring.
Best - Joe
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