Here's a cool clip of Evan Parker in a quartet setting at the 2009 Freedom of the City Festival of new and improvised music at Conway Hall in London, England. Here, Evan is in the company of Peter Evans on trumpet, John Russell on guitar, and John Edwards on bass.
Besides from the interesting sounds and textures that the band is playing, I like most that I can see Evan's fingers, which gives me a better understanding of how he's able to do what he does.
To play the sounds that he gets in an intricate combination of simple- and cross-fingerings along with oral cavity manipulation (speeding up and slowing down the air flow as it enters the mouth through the mouthpiece by changing the position of the tongue).
Much of Evan's sonic vocabulary seems to be oral cavity oriented. Here's is where the book Top-Tones for the Saxophone: Four-Octave Range by
Sigurd M. Rascher comes in handy--especially when you want to get beyond the original scope of the instrument.
Well, that's my spiel for the day. Enjoy!
This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
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1 comment:
might be possible you also check this guy out:
http://www.youtube.com/watch?v=murAH-bfO7Q
http://www.youtube.com/watch?v=fmCinVv0AlA
http://www.youtube.com/watch?v=SP3ga7wcLf4
guess he will give you a couple other facets what can be a soprano....
best regards
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