Sam Newsome

Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy



Friday, July 26, 2019

Balloon Improvisation




My fascination with balloons is no secret these days. It started off very innocently with me an as amateur balloons twister. I never attempted to do this for money or tried to use it as a side hustle. I really just loved the idea of taking these pieces of elastic, filling them with air, and shaping them into very surreal looking figures.

Over the years, I've become increasingly intrigued by the idea of using them as improvisatory aids.

Balloons have a very unique sound, especially when you place materials inside of them that create a rattling effect when you shake them. My two materials of choice are dry rice and small white beans. Dry rice creates a bright rattling; whereas, small white beans create more of a darker sound.

Below are some examples of different ways I've used balloons as a part of my improvisation over the years.




Example 1: The Shaker Technique

Here, I've attached rice-filled balloons to the bell of the soprano saxophone. This inspires me to explore more deliberate movements of the instrument. And this morphs into the Steve Lacy composition "Deadline."





Example 2: The Puppeteer Technique

Here, the rice-filled balloons are attached to my fingers. And as my fingers move, sporadic sounds are set into motion. This technique is called the puppeteer technique because it reminds me of two non-descript things having a conversation being manipulated by me.






Example 3: The Explosion Technique

This example exploits the unique sound that balloons make when you pop them. Using a small sewing needle, my goal was to pop the balloons to a specific rhythm.







Example 4: The Sax/Drum Technique

This example is less about the inflated balloon, but more about using the elastic material like a drumhead when placed on the bell of the soprano saxophone. You can't see it in this video, but I'm using a foot pedal to mark the time.





Example 5: The Puppeteer Technique: Part 2

In this example, I'm using the puppeteer technique in conjunction with playing the soprano saxophone using a toy trumpet as a mouthpiece.







Example 6:  The Puppeteer Technique: Part 3

This example features me playing duo with guitarist Sandy Ewen. My saxophone is also prepared with a small tube extension.






Example 7: Ensemble Balloon Improvisation

* Here's something by bassist/composer David Menestres. This is from his piece is called "Between Know and Then - Part 4: Little Toes." This piece commemorates Sun Ra's 100th arrival day.

On this piece, David and his ensemble are exploring many of the balloon's sonic aspects:

1) The inhaling and exhaling breath patterns heard as the balloons are inflated and deflated.

2) The ringing timbres heard when you strike them.

3) The difference sounds that can be extracted when you tug, pull, and scrap the balloons.


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