This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
2025 Winter Jazz Festival
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Maybe You’re Just Not Good Enough
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Many of us in the music business, at one time or another, have been inflicted with the cognitive bias known as the illusion of control-...
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If I had to choose one word to exemplify improvised music, it would be freedom. A close second would be defiance. But as I’ve become more im...
2 comments:
This is a very nice and useful video, Sam. I look forward to more of them. There are so many books available with large lists of multiphonics that they can be overwhelming. One of the many useful things that I learned from Ned Rothenberg is that I can find my own multiphonics by experimenting, rather than relying on the lists found in books.
For example, low C fingering can produce a number of multiphonics that are easy to use. The one that you showed with the raised 4 finger speaks the most easily, but I've found that I can also raise finger 5, finger 6, fingers 4 and 5, fingers 4 and 6, and fingers 5 and 6 to get distinct multiphonics that are all based on the low C fingering.
I hope you're doing well and I hope to see and play with you sometime soon!
Hi Heath, thanks for sharing. And yes, trial and error is the best way. Often times multi phonics are very set-up specific--which makes it even more necessary to find your own way. Best!
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