This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
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Louis Armstrong: The Quiet Revolutionary
Louis Armstrong is widely celebrated as a musical genius who shaped jazz into what we know today. However, Armstrong wasn’t just a musical i...
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Have you ever tried playing the soprano saxophone using a Bb clarinet reed? Believe it or not, they work great. I first heard about thi...
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Many of us in the music business, at one time or another, have been inflicted with the cognitive bias known as the illusion of control-...
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Over the years I’ve gone to several sonic sources on the soprano to grab different things, here and there, in my effort to try and create my...
2 comments:
This is a very nice and useful video, Sam. I look forward to more of them. There are so many books available with large lists of multiphonics that they can be overwhelming. One of the many useful things that I learned from Ned Rothenberg is that I can find my own multiphonics by experimenting, rather than relying on the lists found in books.
For example, low C fingering can produce a number of multiphonics that are easy to use. The one that you showed with the raised 4 finger speaks the most easily, but I've found that I can also raise finger 5, finger 6, fingers 4 and 5, fingers 4 and 6, and fingers 5 and 6 to get distinct multiphonics that are all based on the low C fingering.
I hope you're doing well and I hope to see and play with you sometime soon!
Hi Heath, thanks for sharing. And yes, trial and error is the best way. Often times multi phonics are very set-up specific--which makes it even more necessary to find your own way. Best!
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