It's been a while since I've posted anything by Roscoe Mitchell. Roscoe is one of the players that I've gotten into in more recent years, along with Evan Parker and Lol Coxhill. He's one of the true masters of the sonic/soundscape approach to improvisation.
Free players can sometimes sound cliche-ish within that vernacular. Roscoe, however, has something unique. His ability to build solos, creating this slow burning, gradually rising, sonic boil, sets him apart from other free players. It's one thing to play flurries of notes, interspersing multi-phonics between the cracks. But it's another to be able to sustain the interest of the listener for the entirety of your solo.
Personally, I have not mastered that as of yet. As a matter of fact, my solos tend to be more on the shorter side since I have not figured out how to sustain the intensity for longer periods of time.
But in the mean time, I'll just keep checking out Roscoe. I'm sure it will come.
This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
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Table & Chairs Music and Roscoe Mitchell are putting on a concert at Seattle's Benaroya hall on June 7th, 2013. It will be the first ever concert dedicated to all different versions of Nonaah including Roscoe performing solo the world premier of his newest rendition of the piece. If you'd like to feature this event in your blog get in touch with us at contact@tableandchairsmusic.com
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