My take on free jazz is a little different from some in that my commitment is more to the in-depth sonic exploration of my instrument than solely using it as a means of playing lines and patterns. My musical philosophy is rooted in the idea that if you’d like to arrive at unconventional sonic outcomes, the process through which you produce sound must also be conventional. And like many free jazzers, I do enjoy my noise and screeching moments, but overall, I find it much more satisfying creating music that’s nuanced with a wide dynamic range.
The following are the four sets I played at Smalls Jazz Club on Friday, May 18, 2018, and Saturday, May 19, 2018., with bassist Hill Greene on bass and drummer Reggie Nicholson. Two veterans practitioners of freer styles of jazz
My weekend at Smalls is significant to me for two reasons: One, being that Smalls is known for presenting more mainstream groups, it was rare to have a group perform there playing totally improvised music. This type of jazz is more common in the East Village and Brooklyn than in the West Village. Much to my surprise, the crowd was really into it. Which proves my belief that's it's the musicians and industry folks who polarize music more so than the listeners.
Secondly, this trio format allows me to showcase many of my sound explorations and extended techniques in the context of a rhythm section, and not just hearing me play them solo. Using them in a more interactive context is certainly more challenging, but these performances do prove that it is indeed possible.
I've also taken the time to catalog the different sonic explorations and extended techniques used in each set. This is helpful to those interested in analytical listening.
But do check out both nights. There's a lot of interesting ideas and concepts being explored. Each set is a basket full of musical fruit for thought.
And shout out to Don Mount for the nice camera work.
And shout out to Don Mount for the nice camera work.
Friday, May 18, 2018 - First Set
00:00 - Pitched lap tonging
06:25 - Doppler effect
10:53 - Harmon mute, Doppler effect and circular breathing
14:17 - Hanging wind chimes
23:34 - Tube extensions
31:06 - Aluminum foil
38:00 - Hanging 260 balloons
Friday, May 18, 2018 - Second Set
00:00 - Groan tube noisemaker inside of soprano
8:45 - Wood chimes
8:45 - Wood chimes
21:35 - Short tube extension with Doppler effect
25:23 - Short tube extension with flugelhorn bubble mute
37:14 - Long tube extension with aluminum foil and circular breathing
Saturday, May 19, 2018 - First Set
00:00 - Saxophone without the mouthpiece
08:02 - Tube extensions
21:40 - Hanging chimes
27:42 - 5 inch round balloons
31:52 - Aluminum foil
45:59 - Tube extension and flugelhorn bubble mute
47:53 - Flugelhorn bubble mute
48:24 - Trumpet Harmon mute
Saturday, May 19, 2018 - Second Set
00:00 - Hanging chimes
05:40 – Harmon mute and Doppler effect
14:10 – Tube extensions, flugelhorn bubble mute and Doppler effect.
16:50 - Tube extension and mouthpiece only
17:40 - 5 inch round balloons
20:04 – Aluminum foil and Doppler effect
31:04 – Long chimes
49:55 – Tube extensions and circular breathing
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