I sometimes get asked questions about fingerings I use to play multi-phonics on the soprano. Using the correct fingerings is only a part of the process. It’s a combination of breath support, cross fingerings, and oral cavity manipulation.
The exercise below is from an excellent book by Ronald L. Caravan, Extended Techniques & Etudes in Contemporary Saxophone; it sets the stage for playing multi-phonics as well as microtonal fingerings. The exercise itself doesn’t sound very good, but it’s a great way to gain the control you'll need to play multi-phonics and other extended techniques.
This blog is a space for sharing my reflections on music, creativity, life, and politics—a way to connect with fellow saxophonists, musicians, and thoughtful explorers of life. Join me as we delve into the art of sound, the nuances of expression, and the broader world around us.
Sam Newsome
"The potential for the saxophone is unlimited." - Steve Lacy
Sunday, September 4, 2011
Subscribe to:
Posts (Atom)
Imagination Unbound: The Case for Playing Experimental Music
(Image by Peter Gannushkin) Some musicians hold the belief that those who exclusively play experimental music either lack the discipline t...
-
Have you ever tried playing the soprano saxophone using a Bb clarinet reed? Believe it or not, they work great. I first heard about thi...
-
Many of us in the music business, at one time or another, have been inflicted with the cognitive bias known as the illusion of control-...
-
If I had to choose one word to exemplify improvised music, it would be freedom. A close second would be defiance. But as I’ve become more im...