I've been a fan of soprano saxophonist Michel Doneda since
discovering his music around five to six years ago. Michel and fellow soprano player Bhob
Rainey are two players whom I view as being beyond just free jazz
soprano saxophonists; these guys are sound artists.
Michel, who hails from Toulouse, in the south of France, has been a pillar on the European improvised music scene since the early 1980s. Some
of his closest collaborators over the last thirty years include singer Beñat
Achiary, percussionist Lê Quan Ninh, hurdy-gurdy player Dominique Regef, and
bassist Barre Phillips.
Michel is one of my go-to guys for extended techniques. I'm
particularly interested in his use of sound clusters, playing two to three
extended techniques once, creating these really unique clusters of sound.
Here are just a few that I've discovered:
1) multi-phonics played with the flutter tongue
2) air
sounds with key clicks
3) playing in the altissimo with a flutter tongue and throat growl.
4) swaying the horn from side to side while playing multiphonics
5) playing kissing sounds with reeds squeaks
And
he's also known for his economical use of space. He might improvise for a good
10 minutes before playing any line or conventional melody.
This video features him in a trio with guitarist John Russell
and drummer Roger Turner during a 2011 performance at London's Vortex Jazz
Club, which has been the city's foremost presenter of contemporary and free
jazz since 1987.
Here you can hear his extraordinary control of air sounds (and it's not easy to play them with such velocity and at different dynamic levels) as well as his extensive use of the flutter tongue.
This is just one of the series of soprano players I'll be
featuring over the next few months.
