tag:blogger.com,1999:blog-5608583707608223890.post812289839194850216..comments2023-11-02T08:18:28.894-07:00Comments on Sam Newsome's Blogsite: Soprano Sax Talk: The Lower Register: The Most Neglected Part of the HornMy Profilehttp://www.blogger.com/profile/17424153497775306382noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5608583707608223890.post-13924755410749902842015-11-21T16:11:59.263-08:002015-11-21T16:11:59.263-08:00Hi Heath, Nice to hear from you. And thanks for re...Hi Heath, Nice to hear from you. And thanks for reading. C<br />opies of my book are coming soon. I have not forgotten about you. Best! - SMy Profilehttps://www.blogger.com/profile/17424153497775306382noreply@blogger.comtag:blogger.com,1999:blog-5608583707608223890.post-30576729983577796432015-11-20T12:23:32.933-08:002015-11-20T12:23:32.933-08:00Another great post, Sam! I like the exercises and ...Another great post, Sam! I like the exercises and will have to try them. I do a lot of low end work with trichords and also work on using my lower leg to bend the low Bb note downward. Thanks for posting the transcription of "Blues for Aida"; it's one of my favorite Lacy songs, and I wish more people could hear it. Finally, thanks for reminding me that I need to delve more deeply into Japanese scales. I'm a big fan of shakuhachi music and ideas. Yusef Lateef included a number of Japanese scales in his "Repository of Scales and Melodic Patterns". I need to spend some time with them. Best, HeathHeath Wattshttps://www.blogger.com/profile/17344160276173343465noreply@blogger.com